Opening October 16Early access →

Venice

In search of classical beauty

Series 02 · Italy · 2026 · 9 images

The text

The series

Venice does not speak through its faces, it speaks unasked, through its centuries-old stone, and it layers beautifully.

Venice speaks for itself. I went there looking for classical beauty, the beauty of the Renaissance, to bring a more architectural dimension into my practice, and I don't think I knew yet, when I arrived, what that meant. Venice does not speak through its faces, it speaks unasked, through its centuries-old stone, through its arcades answering each other from one bank to the other, its domes resting on the water, its façades that have seen so many eyes pass by that they no longer need ours.

And it layers beautifully. Perhaps because it is already made of reflections, perhaps because everything there is symmetry, repetition, echo, stone settling onto stone without breaking anything, the lines of one palace carrying on into those of another as if they had been drawn together. What appears then, between the two layers, is its harmony and its grandeur, more visible, I think, than to the naked eye, because to the naked eye we no longer look at them, we walk through them.

Faces are rare in this series, and that is deliberate: I wanted to see what the stone had to say when it is given all the room. I also wanted to learn, to learn what classical beauty, the beauty we are shown before we have even had a chance to see it, can still make us feel when we choose to look at it twice, and let it reveal itself through itself.

The hanging

9 images · click to enlarge
Dômes, double exposure by Capucine Frecciani, Venice series
Dômes01 / 09
Le pont, double exposure by Capucine Frecciani, Venice series
Le pont02 / 09
La Cour des Doges, double exposure by Capucine Frecciani, Venice series
La Cour des Doges03 / 09
Atlas, double exposure by Capucine Frecciani, Venice series
Atlas04 / 09
Palais des Doges, double exposure by Capucine Frecciani, Venice series
Palais des Doges05 / 09
Arcades, double exposure by Capucine Frecciani, Venice series
Arcades06 / 09
Le gondolier, double exposure by Capucine Frecciani, Venice series
Le gondolier07 / 09
Les Sculptures, double exposure by Capucine Frecciani, Venice series
Les Sculptures08 / 09
Le gondolier assis, double exposure by Capucine Frecciani, Venice series
Le gondolier assis09 / 09

The edition

Prints

This series opens on October 16.

Each image exists in thirty copies: twenty-five paper prints of 40 × 60 cm with a 1 cm white margin, three on acrylic glass shown in exhibitions, and two artist's proofs.

Each print is numbered, comes with its certificate of authenticity and is recorded in the print register.

Every new series, 24 hours before everyone else.

Choose from the first prints at the opening price, before the price of each image rises with sales. I only write when a new series goes on sale, or to invite you to an event.

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